Vanishing scenes and fragments of rupture

The changes in the mode of production brought about by capitalism have led to the emergence of classes in the state of industrial space, and the class phenomena of tangible and intangible have gradually emerged between the capitalist class and the working class.

In the early days, Taiwan was colonized by Japan, and at that time, the new industrial structure and development introduced by the Japanese capitalists changed the mode of production brought about by the new industrial structure, and the improvement of production efficiency also produced class phenomena,such an unequal class phenomenon affects the changes in the residential and living styles of local residents, but at the same time, because of the class, a special life form and field belonging to each class is created, so the industrial space should not only bring unequal class relations, but give the local residents a living landscape and cultural memory in a special area.

Nowadays, many industries have long declined, replaced by high-density vertical fields under the umbrella of science and technology, service industry cities, different time and space backgrounds of the past industrial space is now mostly placed in the commercial space to revitalize the historical space, or appear like a ruin, thus losing the cultural memory that allows the descendants of today’s foreign or local ethnic groups to re-recognize or experience the cultural memory that once belonged to this land.

The class phenomena generated in the industrial space of the past have also changed from the spatial perspective, by deconstructing and transforming them into the field, and setting the functional space of the previous important public field in the form of preservation and transformation under the condition of inconvenient nature and adding the functional space of the new state to the present.The spatial nature and atmosphere of the past classified places are introduced into the interior of the base as part of the exhibition space, and the concept of the past Ruifang’s living landscape and living mode is miniaturized through the experience of the exhibition office, reproducing the past life landscape and presenting it on the base, so that the descendants of foreign or local residents can re-understand Ruifang through participation and experience, and solve the problem of population migration and regional withering due to the decline of the industry, so that people can return to this land.

And I think that whether it is in the future or in the current industrial space, it should be through the reshaping of space to reproduce the past spatial atmosphere and state, and add new forms of activities to try to trigger events similar to the past, so that the current ethnic group can re-understand the story that belongs to this land through the process of participating in the process of participating in the events caused by activities, spatial changes or states in the field.